While not very self-contained, this panel still won out among all others this week as being one of the most amazing things I've seen in my life. The set-up? Young Avengers Patriot and Hawkeye are not on a date when the driver of their horse-drawn carriage (not a date!) lets the horse go and reveals himself to be...CLINT BARTON! Then he kicks them both out of the carriage and inflicts further violence on his unsuspecting namesake, as any good superheroic mentor should.
I never thought I'd be delighted over an appearance of Ronin, truly one of the worst character revitalizations of the modern age, but Matt Fraction's got some serious skills to pull it off here. Not just delighted--I doubled over in laughter. This marks the second or third time since Avengers Disassembled that Hawkeye/Clint has been written well. He is, after all, the man who once jumped on Captain America's bed to get Steve to cheer up. I miss that guy, as he's probably my favorite Marvel character. Fraction brings him back in this issue.
So anytime Marvel wants to put out a Clint Barton book written by Matt Fraction, my money will be there...(sigh) even with the ninja suit.
Sunday, June 29, 2008
Saturday, June 28, 2008
Good news.
New Supergirl Creative team announced!
Comics blogging, especially as regards DC Comics, its editor-in-chief, and the future of its entire line, has come across as very bleak recently in the wake of Dixon leaving and Heroes Con reports (as well as the mishandling of continuity across big titles like Countdown and Final Crisis).
So I wasn't expecting to find happy news when I loaded Newsarama this morning. But the new writer, Sterling Gates, is saying exactly what I want to hear about building up Kara's characterization, heroism, supporting cast, and rogues. Additionally, I am so pleased that the Superman family will be tied together as they haven't been in much too long--especially with such quality teams on all books. I adore Supergirl and I've been waiting for any reason to add the title to my pull list.
I think Sterling Gates just gave me a dozen, but I haven't counted yet. (Jamal Igle's art is certainly top on that list.) I remember being impressed with Gates' arc on Green Lantern Corps. Tonight I will definitely do a re-read, but his way of developing multiple strong female characters in two issues is what stuck with me the most. That will serve him well when writing the girl of steel.
Comics blogging, especially as regards DC Comics, its editor-in-chief, and the future of its entire line, has come across as very bleak recently in the wake of Dixon leaving and Heroes Con reports (as well as the mishandling of continuity across big titles like Countdown and Final Crisis).
So I wasn't expecting to find happy news when I loaded Newsarama this morning. But the new writer, Sterling Gates, is saying exactly what I want to hear about building up Kara's characterization, heroism, supporting cast, and rogues. Additionally, I am so pleased that the Superman family will be tied together as they haven't been in much too long--especially with such quality teams on all books. I adore Supergirl and I've been waiting for any reason to add the title to my pull list.
I think Sterling Gates just gave me a dozen, but I haven't counted yet. (Jamal Igle's art is certainly top on that list.) I remember being impressed with Gates' arc on Green Lantern Corps. Tonight I will definitely do a re-read, but his way of developing multiple strong female characters in two issues is what stuck with me the most. That will serve him well when writing the girl of steel.
Sunday, June 22, 2008
Panel of the week.
From Trinity #3
This panel reminds of me the scene from Angel season 2 when Angel & co. traveled to Pylea and, through a wacky series of events, we get a shot of most of the team looking into a wicker basket that contains Lorne's head. The off-kilter angle, the expressions on everyone's faces, and the sheer unexpected oddness of Superman being laid out in one punch all made the moment captured in this panel stand out to me above all others. It's so weird...and therefore fun. Just look at John Stewart! The current JLA being caught off-guard from their serious business is very endearing. A few more moments like this and I could come to love the team again.
Speaking of Trinity--I'm still enjoying it, including the back-ups. This week's was especially adept at introducing a new character as yet unconnected to anyone else in the DCU, convincing me to quickly care about the character, and inspiring me to conjecture as to how she'll tie into the plot and which three would they be? Lovely Rita, tarot reader...
Speaking of Trinity--I'm still enjoying it, including the back-ups. This week's was especially adept at introducing a new character as yet unconnected to anyone else in the DCU, convincing me to quickly care about the character, and inspiring me to conjecture as to how she'll tie into the plot and which three would they be? Lovely Rita, tarot reader...
Saturday, June 21, 2008
Luckily, they never made it to his bedroom.
In honor of the love-triangle-that-never-was as Geoff Johns recently wrote it in Green Lantern Secret Origins I present:
And now: an apology.
The Last Time Hal Jordan, Carol Ferris, and Hector Hammond Were All In A Room Together!
And now: an apology.
I'm sorry for showing you a scene from the last time Hal Jordan, Carol Ferris, and Hector Hammond were all in a room together.
Sunday, June 8, 2008
Put me in the minority here.
The Top Five Reasons Why I Will Be Reading Trinity and Not Whining About It:
1. Kurt Busiek: There are very few writers I trust more than Busiek to deliver entertaining and dependable comics. He is the squishy Italian bread with the little sesame seeds on top in the bread aisle of comic writers. There's never a time when I'm not in the mood for Busiek. I know when I read a comic written by him that I am going to come away feeling pleased with my purchase and vindicated in my utter adoration for superheroes and superhero comics. I feel better about the world after reading Busiek's take on a fictional realm where people fly around in ridiculous outfits. So knowing that I will be able to walk into my comic shop and purchase a Busiek comic every week for the next year is cause for excitement.
2. Fabian Nicieza: While Nicieza is more hit-and-miss for me in the grand scheme of his writing, whenever he is paired with Kurt Busiek (or whenever he follows Busiek on a title) I always enjoy his work. He has a fabulous talent with humorous dialogue and plot, as well as the necessary gravitas to keep the characters grounded and dimensional. Additionally, his past work has proven how well he can drum up interest in minor characters. As his role in Trinity will be fleshing out Busiek's Big Three story with satellite characters and plots from the rest of the DCU, I've no doubt he'll succeed in making the backups just as exciting as the front story. Already, the first issue is tapping into unfamiliar territory for me in the DCU and I love it.
3. Mark Bagley: I have the entire collection of his run on Ultimate Spider-Man (judge me all you want!) and while I always appreciated and respected his art , I noticed in the last two arcs of the title that his style had begun to soften in a way that marked a great improvement. No longer do his teenage girls all have the figures of bodybuilders! This is already evident in Trinity. Bagley's Wonder Woman is muscular but not ridiculously so. Same for his Batman and Superman. Also, and I don't know how much this is due to inkers, his line work is not so sharp anymore that I feel like I'll poke an eye out if I look too long. But his greatest strength, and the one that Trinity is riding on, is how productive of an artist he is. He produced 110 issues (and covers) of a monthly comic series without fill-ins or delays. That immediately grants someone godlike status in today's artistic climate for Big Two books. And you know what else? He draws a hot Wally West. Who knew blue could be such a good color for Wally!
4. Consistent writing team: Countdown had almost as strong a figure as Kurt Busiek guiding the title: Paul Dini. Unfortunately, all the other less-skilled creators working on the book made it so you couldn't count on Dini to make the thing work. I don't know how they organized the writing shift or, well, anything behind Countdown but it all unraveled into utter crap. Utter crap with about one or two good moments that were undone to make way for further crap before the title ended. Trinity is going to have two writers who have previously worked together (at Marvel and DC) and in this weekly they're going to be on the same page--and both writers are quality guys. And while I've seen the entire internet clamoring to share their universal opinion on Trinity defying the previous point of DC weeklies with its focus on central characters rather than minor characters, I've got to say--that's a good thing. We know who Batman, Wonder Woman, and Superman are and we know we're going to get consistent and established takes on them. This is a good thing. It really is. I'd much rather read about characters I'm very familiar with acting the way I expect them to act than read about characters I either know well or don't and watch them characterized haphazardly so...what? People get exposed to them? What Kyle Rayner fan wants anyone new to the character to have them get to know the Countdown version? This Kyle fan sure as hell does NOT.
5. Consistent art team: This was one of the most widespread complaints about Countdown and for good reason. The layouts, the costumes, the settings, the character base models were all inconsistent from week to week. People still don't know what the hell a Monitor's really supposed to look like. (Though J.G. Jones is working on that, apparently. Thanks!) With Trinity's split, we're getting the same artist and inker every week for main story and so far the solicits support the hope that Nicieza's backups will have the same rotating artists working together. Now, the backups could dissolve into a similar mess that plagued Countdown but I'm optimistic they won't. I know and enjoy most of the artists listed and hopefully none of the X-factor artists have the same blob style that one or two of the Countdown artists exhibited. ("Blob style" = why I try not to talk about comic art very often. I just remember a lot of the Countdown art being ill-defined and floaty and blobbish in a way that all jumbled together in my memory to haunt my worst nightmares.)
So until Bagley's replaced by Ed Benes or Eclipso and the Spectre take over the backups, make mine Trinity!
1. Kurt Busiek: There are very few writers I trust more than Busiek to deliver entertaining and dependable comics. He is the squishy Italian bread with the little sesame seeds on top in the bread aisle of comic writers. There's never a time when I'm not in the mood for Busiek. I know when I read a comic written by him that I am going to come away feeling pleased with my purchase and vindicated in my utter adoration for superheroes and superhero comics. I feel better about the world after reading Busiek's take on a fictional realm where people fly around in ridiculous outfits. So knowing that I will be able to walk into my comic shop and purchase a Busiek comic every week for the next year is cause for excitement.
2. Fabian Nicieza: While Nicieza is more hit-and-miss for me in the grand scheme of his writing, whenever he is paired with Kurt Busiek (or whenever he follows Busiek on a title) I always enjoy his work. He has a fabulous talent with humorous dialogue and plot, as well as the necessary gravitas to keep the characters grounded and dimensional. Additionally, his past work has proven how well he can drum up interest in minor characters. As his role in Trinity will be fleshing out Busiek's Big Three story with satellite characters and plots from the rest of the DCU, I've no doubt he'll succeed in making the backups just as exciting as the front story. Already, the first issue is tapping into unfamiliar territory for me in the DCU and I love it.
3. Mark Bagley: I have the entire collection of his run on Ultimate Spider-Man (judge me all you want!) and while I always appreciated and respected his art , I noticed in the last two arcs of the title that his style had begun to soften in a way that marked a great improvement. No longer do his teenage girls all have the figures of bodybuilders! This is already evident in Trinity. Bagley's Wonder Woman is muscular but not ridiculously so. Same for his Batman and Superman. Also, and I don't know how much this is due to inkers, his line work is not so sharp anymore that I feel like I'll poke an eye out if I look too long. But his greatest strength, and the one that Trinity is riding on, is how productive of an artist he is. He produced 110 issues (and covers) of a monthly comic series without fill-ins or delays. That immediately grants someone godlike status in today's artistic climate for Big Two books. And you know what else? He draws a hot Wally West. Who knew blue could be such a good color for Wally!
4. Consistent writing team: Countdown had almost as strong a figure as Kurt Busiek guiding the title: Paul Dini. Unfortunately, all the other less-skilled creators working on the book made it so you couldn't count on Dini to make the thing work. I don't know how they organized the writing shift or, well, anything behind Countdown but it all unraveled into utter crap. Utter crap with about one or two good moments that were undone to make way for further crap before the title ended. Trinity is going to have two writers who have previously worked together (at Marvel and DC) and in this weekly they're going to be on the same page--and both writers are quality guys. And while I've seen the entire internet clamoring to share their universal opinion on Trinity defying the previous point of DC weeklies with its focus on central characters rather than minor characters, I've got to say--that's a good thing. We know who Batman, Wonder Woman, and Superman are and we know we're going to get consistent and established takes on them. This is a good thing. It really is. I'd much rather read about characters I'm very familiar with acting the way I expect them to act than read about characters I either know well or don't and watch them characterized haphazardly so...what? People get exposed to them? What Kyle Rayner fan wants anyone new to the character to have them get to know the Countdown version? This Kyle fan sure as hell does NOT.
5. Consistent art team: This was one of the most widespread complaints about Countdown and for good reason. The layouts, the costumes, the settings, the character base models were all inconsistent from week to week. People still don't know what the hell a Monitor's really supposed to look like. (Though J.G. Jones is working on that, apparently. Thanks!) With Trinity's split, we're getting the same artist and inker every week for main story and so far the solicits support the hope that Nicieza's backups will have the same rotating artists working together. Now, the backups could dissolve into a similar mess that plagued Countdown but I'm optimistic they won't. I know and enjoy most of the artists listed and hopefully none of the X-factor artists have the same blob style that one or two of the Countdown artists exhibited. ("Blob style" = why I try not to talk about comic art very often. I just remember a lot of the Countdown art being ill-defined and floaty and blobbish in a way that all jumbled together in my memory to haunt my worst nightmares.)
So until Bagley's replaced by Ed Benes or Eclipso and the Spectre take over the backups, make mine Trinity!
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